As I said last time, I wanted to add more watercolor to the still life linocut. I did like the starker black and red, but it felt like it still needed something. I made two of the heavier paper prints and decided to throw caution to the winds on one. Originally I thought to just add some mossy green behind the plant, but then I decided to use yellow ocher as a base first. I’m glad I did. It seems much warmer to me. Now I’m not so sure about the original print. I also wonder if I shouldn’t put a bit more shading on the teapot now. What do you think?
I don’t really consider myself a graphic artist so in some ways the linocuts are really hard for me. At least the way I do them, they seem more graphic than traditionally fine art. I wish I could do more delicate work like some beautiful prints that I have seen, but that’s not where I am right now. Mostly I am working with positive/negative space on these which has always been a focus in my ink work.
I have always wished I had had more graphic art training. For many years, graphic art was not looked on as “real art” because it was usually work for hire, but when you think about it, the Old Masters were commercial artists too. If they were lucky, they worked for rich patrons and often created specific pieces for them. I don’t know when the idea that art had to be suffered for to have value came in, but it has done a great disservice to many wonderful and creative people. Worked hard for, yes, but a necessarily ruinous life, no.