I finished the dog portrait

Peiper

Silly me. In my eagerness to start the watercolors, I forgot to photograph the inked phase, so here is the finished portrait.  What a cute little dog this is.  After I started the watercolors, the overhead perspective from the photo made her harness start to look more and more like a neckerchief.  I had to widen the base somewhat to make it look right.  It wasn’t so apparent in the pencil up or even the inking, but about half way through the watercolors, the orange harness fabric started to bother me.  I widened the base with the ink.  Fortunately, that area is in shadow, so I could get away with it.  In the end, I am pleased with it.

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A new dog portrait commission

Dog portrait

A dog commission came up recently while I was working on the little book, entailing a sudden change of gear.  I hadn’t done a commission pet piece since last year, so it was a nice surprise.  The client saw Gizmo the cat’s portrait posted on my instagram account and inquired about one for himself.  It’s a cute little dog, don’t you think?

Gizmo done


Gizmo

I finished Gizmo’s watercolor portrait, and I must say, I like it much better than the acrylic one.  I was able to be much more delicate in depicting him – and he was a very delicate little guy.  I think for portraiture (both pet and architectural) that pen and ink with the watercolor or pastel overlay is much more suited to my style.  I really need to take an acrylic class and get a better idea of technique.

Redoing Gizmo’s portrait

Pencil up

I wasn’t ever really happy with the acrylic portrait of Gizmo the cat, so I decided to try it again with the pen and watercolors.  Here are the pencil drawing and the inked sketch.

So far, I am pleased.  I feel I have so much more control with the pen and watercolors.  Maybe it is the lazy way out, but I haven’t done a pet portrait since the two of my friend’s horses last summer and I wanted to try something again.  I’ll wait to finish the inking if I need to until after the watercolors.  I don’t want it to get too dark as he was a lighter orange tabby.

Inked

The three amigos

The three amigos

The three calves painting is now finished and I am fairly happy. I think the one thing I might change is to have made the whole thing somewhat larger. In hindsight, trying to cram all of these guys into a 6×7 frame made it more difficult than perhaps was necessary.  I had a harder time inking with the thicker nib pen and there wasn’t as much room to layer the defining colors.  Lesson learned. Give each animal room enough for its own space.

Three calf pencil up

Three calves

Last fall I started to pencil up this sketch of three calves that lived across our road.  They made a nice composition and fortunately are three different colors.

Holiday commissions and then a surprising six orders first of the year pushed this little drawing to the back of the line. Then I took a pen and ink break to do the fruit paintings because I needed to do something different for a bit.

Felix with preliminary watercolor

Felix with some watercolor

Felix with some watercolor

I decided to jump right in and start watercoloring Felix.  Sometimes it is just better to dive in, come what may.  If I think too much about what I want to do, I start to get overly cautious.  So far I like the black, but I think it needs to be darker in places.  It’s not quite clear that he is a black horse yet and I haven’t decided whether or not to add his “worried” eyebrow.  The trick, as always, is not to overdo it.

I will be taking a short break on Felix, which is probably not a bad thing.  I already see some parts to darken.  I got a house commission over the weekend and will have to devote the drawing table to getting it out.  It is on the small side, so it will be quick, but it has some very cute eave details.

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